Christopher Rimmer’s latest exhibition, “Remnant, The Tragedy of Lost Significance,” emerges as a poignant reflection of his three-year exploration into the heart of the vast Australian Outback. Undertaken amidst a world grappling with the challenges of a pandemic and of subsequent lockdowns, Rimmer’s artistic quest attempts to uncover meaning in the remains of failed human endeavour,…
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Christopher Rimmer’s much anticipated new body of work entitled, Remnant – the Tragedy of Lost Significance, will be exhibited in the first quarter of 2024. Photographed on location in the harsh and unforgiving wilderness of Outback Australia, the exhibition comprises twenty-five, large scale, C type, photographs, throughout which Rimmer attempts to establish a thematic thread…
Read moreThe visual result of Christopher Rimmer’s African odyssey is a broad body of work entitled, ‘Spirits Speak’ which opened in Melbourne last year to critical acclaim and is being shown at Photo Menton in France later in 2013.…
Read moreChristopher Rimmer feared the nipple police would be out to get him. But the critically-acclaimed Melbourne photographer went ahead and posted an image on Facebook from his new body of work, Confluence – Tradition & Modernity and the Last Tribes of the Kunene River, anyway.…
Read moreOriginally published in The Sydney Morning Herald on 20 October, 2010. Written by: Christine Kellett. An Australian photographer whose pictures of breastfeeding women have been banned from Facebook says the social networking site is wrong to appoint itself arbiter of what constitutes art. Melbourne-based art dealer and photographer Christopher Rimmer travelled to Africa to shoot…
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